A killer intro; a mandatory aspect of any great literary piece.
That’s what I aim for, but sometimes I can go through loads of intros before I settle on “the one”.
Other times I just give up and move on to other distractions…ever hoping for a bulb to light up amid the chaos.
Deciding on what to write isn’t the problem, but creating that perfect intro cripples my creative spunk. It is the “easiest” to put together but the hardest to craft and master.
I am not a perfectionist…but I do try my best.
It is indeed gut-wrenching to find readers skip past the intro that kept you up many a sleepless night. This is my umpteenth attempt at this intro, but who is counting, right?
I break my squishy brain for the “perfect intro” and no one reads it.
My creative foibles aside, this little predicament raises a concern that haunts creatives the world over: the infamous “Creative Block”.
If you find yourself in the creative sphere – writers, musicians, performers, artists – then you know how far-reaching this “block” really is.
It is a deep pit of despair from which only the determined can escape…and mind you, the act (of escaping) may last for days, weeks, months or even years.
When you lose your muse, you better put on the best show of your life to win her back, or in the very least, break down every door known to man until she’s nestled safely in your arms once again.
Being creative isn’t the cakewalk some claim. Sure, it might come easy to some but the truth hits hard when you realize even the best of the best plunge headfirst into the “block”.
It comes with the territory and quite normal to wander its labyrinthine maze on occasion.
Heck! It took me quite a while to put this post together, so yeah…it is a global epidemic.
For some though, getting out of the “block” can be as easy as staring at a blank page for 3 straight days…or as daunting as seeking inspiration from someone else’s works.
Inspiration does works: I do it often, although my case requires I stare at random images till the lazy brain hamsters start showing their worth – they are quite the lazy lot.
But where does “getting inspiration” end and “stealing’ begin?
A creative mind is oft lauded and appreciated, even when most don’t know the hardships (and headaches) such a mind endures. We love the creative people who have made an enviable living out of selling the crazy and innovative ideas scurrying around in their heads…and some of us hope to someday walk beside them, or better yet, ahead of them.
But how can we push boundaries and break down restrictive molds if we forgo our ability to think and glaringly steal ideas?
People are fierce at stealing ideas, but for today’s lesson we will focus on Ghana and her many green-eyed citizens. I know you’d all love to see me point just one finger at Kofas (a Ghanaian movie director) and watch him run into hiding again, but that won’t be fair to him.
The sad truth? This sin of intellectual thievery goes beyond Kofas’ blunder; it is a canker in Ghana’s creative sphere that just won’t die (T1000).
Ghana’s creative industry is actually not as competitive as those in western countries, but the breakneck speeds at which content – videos, music and pictures – is pushed to the public opens up a very big avenue to steal intellectual properties with us none-the-wiser.
Local production houses steal entire movies – foreign and local – and then repackage them as new.
In an industry where a single production house can shoot 4 full movies in a week with barely any script, we should not be surprised if new movies recycle plot from old movies.
Heck! Even Hollywood is doing that…so why not Ghana.
That much content in such short a span negates the need for brainwork for some creative individuals in Ghana. A few put up a valiant effort, but like moths to a flame, they embrace the system: recycle and steal…because no one cares.
Just so you know, Kratos speaking Dagbani is as weird as it sounds…
All things considered though, Kofas’ “remake” of Skeem could have gone unnoticed if both movies had been obscure:
BUT NOPE! They were as high-profile as they come, with Skeem benefiting from the publicity and media coverage that comes from being critically acclaimed.
John & John, a blatant and unrepentant copy of Skeem could have been a remarkable hit in Ghana, if Kofas’ folly had not reared its head.
He has since gone into hiding, but this blight on his record invariably calls into question his prior endeavors…and that is a shadow I fear he might never pull away from.
I would like to think this issue would educate the creative public in Ghana about intellectual thievery…but I fear I might be asking for too much, considering the first presidential speech from President Nana Akufo-Addo lifted passages from the speeches of former presidents Bill Clinton and George W. Bush.
What can I say? It’s in our blood.
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